"Et dikt om å falle" ("A poem about falling")
Jeg er mikroskopisk nå,
nesten ingenting.
En mørk skygge som skriker stille,
men forblir usynlig.
Bakken under meg åpner seg
og spiser meg sulten i en eneste stor munnfull.
Det tar ikke mer enn noen få sekunder
eller kanskje hundre tusen timer.
________________________________________
"Når jeg er hos deg" ("When I'm with you")
for jeg er kynisk boltret fast
og prøver å puste
mens jeg ser opp
på våre vegger
som sakte falmer
og smuldrer opp
rundt oss
hodet mitt på puten din
tærene våre
krøllet sammen som visne løvblad
og kroppene
svette og skjelvende
og fylt med dyster forventning
This Blog is a platform for internal communication and the field for discussion. All members of Gameboysex platform can fillup this blog by their inspiration, samples of projects,etc..
pátek 9. prosince 2011
úterý 29. listopadu 2011
pondělí 28. listopadu 2011
I sharpenned my field theses, this is the result :
The future scenarion of analog graphic design and drawing and its integration to education and market.
The research based on praxis and history, systems and daily routine in designers life.
neděle 27. listopadu 2011
pondělí 21. listopadu 2011
Sunday god
God is thru, we define god as purpose, we blame our self of acting against roots and natural behaving as matter of shame. We, people, seems to be separate from natura, latin translation of the Greek word physis (φύσις), the plants, the animals, from goods and thinks which are the source of happiness and luck.
I found myself flat on the globe, I found myself blind on light and disused by all fests happening every day. The offer is succulent, some squeeze and tang tongue. The presence is formatted and repetitive.
I found the space the region of infinite and untouched. Spacio ( lat.) without defined volume, marks, bisectors or subjects seems to be void of its content. But still we classify its volume as satiated, ready to consume or rebuild. The human creativity.
The time for human creativity and action.
We are engineers, living in cosmos driven by spiritual and ethic rules to find new god.
What we could do? There is solution outside, yes outside. As L. Wittgenstein point out: “ World is limited hole”, as well universe.
Lets build our own religion and base it on silence. Build mosques, chords, churches without any noise.
The silence is tool for social interaction. What is god, soul and mind?
That is ..., ..., ... . And ... ....... ..... . So what? Life is silent.
So, why we shout out moral and individual opinion? Limitation is fail of transforming our value. There is action of tragedy that we join, Nietche point out, I disagree.
sobota 19. listopadu 2011
Social responsive design , meta design core base
SRVD program
Week 1
Notes
Potential 2020,
Collective playground, playfullness,
Our future vision is based on knowledge of Veitvet history and wishes which was tourist by inhabitants in Vetvet area.
The Veitvet has no more commercial potential without creative touch and investments. We found the building which is approx 60 years old and which was rebuild in age of 60´as torso of old and proud Veitvet shopping mole.
The elements of pride: History, art ( sculptures ), architecture elements ( sight tower ), activities ( ghetto club, dance club, bowling, bazaar, design garden, fountain element.
Actual situation seems to be better after the deeper observation. The information which was given to our team by the researchers and social workers put the light on this dark and unfriendly spot.
Observation of diversities:
high level of diversity is desirable within this project, We discover the heterogeneity as possibility, huge range of variety solution can be applied.
As well as future horizons become to be relative later this week. Meta design as a method and meta design as style of consideration.
I would like to point out the impact of several tools which we gain during this week.
Playground of diversity - noticeable heterogeneity; "a diversity of possibilities"; "the range and variety of possible solutions is amazing"
Multifariousness, versatile, diverseness.
The potential of Veitvet sentre could be improved by investment in building creative, friendly, cultural and multicultural environment. The Veitvet could be the meeting point of various generations, nationalities, cultures and styles.
We can improve the centre by usage of natural elements applied in space as water, grass, animals,... (does not necessarily means in sense of the live experience ). Abet people to gain overview of all activities and transport the customers thru the space to gain more information, curiosity can be a key tool ( make people curious by using elements which activate senses ( smell, hear, different surfaces, action).
The labyrinth
We would love to Veitvet to be centre, which ´celebrates differences´ and connect people across the genders, generations and background.
The collective playground idea is based as well on to bring elements from outside- inside and opposite. We can define several tools which can be used for this purpose. Games, graphic styles, actions and interactions can help us to be the centre.
We can call our program Labyrinth, the Oasis, Collective playground or Hot spot for travellers.
The selected solution:
Traveller´s hostel ( sharing experiences, culture )
– easy to compete in rate with another rivals and become the part of worldwide community.
3D paint floor ( used in advertisement, cooperation and creativity )
The connect game by Ken Garland associates, could be applied (first think first 2000 manifesto)
Link : http://en.wikipedia.org/wiki/Rivers,_Roads_%26_Rails
Cooperation on recycling ( FOO (ke) D project by Gameboysex.org )
Playground organised by community ( events, games )
___Festival of culture and conferences focused and inspired by the culture jamming movement in the late 1980s.
This week activity:
Enter –introduce
Discover
Contact
Uncover- under the shin
Co-designing
Freewriting
Metadesign
Diversity
Design and sustainability
Metadesign
Week 1
Notes
Potential 2020,
Collective playground, playfullness,
Our future vision is based on knowledge of Veitvet history and wishes which was tourist by inhabitants in Vetvet area.
The Veitvet has no more commercial potential without creative touch and investments. We found the building which is approx 60 years old and which was rebuild in age of 60´as torso of old and proud Veitvet shopping mole.
The elements of pride: History, art ( sculptures ), architecture elements ( sight tower ), activities ( ghetto club, dance club, bowling, bazaar, design garden, fountain element.
Actual situation seems to be better after the deeper observation. The information which was given to our team by the researchers and social workers put the light on this dark and unfriendly spot.
Observation of diversities:
high level of diversity is desirable within this project, We discover the heterogeneity as possibility, huge range of variety solution can be applied.
As well as future horizons become to be relative later this week. Meta design as a method and meta design as style of consideration.
I would like to point out the impact of several tools which we gain during this week.
Playground of diversity - noticeable heterogeneity; "a diversity of possibilities"; "the range and variety of possible solutions is amazing"
Multifariousness, versatile, diverseness.
The potential of Veitvet sentre could be improved by investment in building creative, friendly, cultural and multicultural environment. The Veitvet could be the meeting point of various generations, nationalities, cultures and styles.
We can improve the centre by usage of natural elements applied in space as water, grass, animals,... (does not necessarily means in sense of the live experience ). Abet people to gain overview of all activities and transport the customers thru the space to gain more information, curiosity can be a key tool ( make people curious by using elements which activate senses ( smell, hear, different surfaces, action).
The labyrinth
We would love to Veitvet to be centre, which ´celebrates differences´ and connect people across the genders, generations and background.
The collective playground idea is based as well on to bring elements from outside- inside and opposite. We can define several tools which can be used for this purpose. Games, graphic styles, actions and interactions can help us to be the centre.
We can call our program Labyrinth, the Oasis, Collective playground or Hot spot for travellers.
The selected solution:
Traveller´s hostel ( sharing experiences, culture )
– easy to compete in rate with another rivals and become the part of worldwide community.
3D paint floor ( used in advertisement, cooperation and creativity )
The connect game by Ken Garland associates, could be applied (first think first 2000 manifesto)
Link : http://en.wikipedia.org/wiki/Rivers,_Roads_%26_Rails
Cooperation on recycling ( FOO (ke) D project by Gameboysex.org )
Playground organised by community ( events, games )
___Festival of culture and conferences focused and inspired by the culture jamming movement in the late 1980s.
This week activity:
Enter –introduce
Discover
Contact
Uncover- under the shin
Co-designing
Freewriting
Metadesign
Diversity
Design and sustainability
Metadesign
Steatl something day, Montreal
As we like to say in Montreal: diranger les riches dans leurs niches!
top
And remember, we're talking about stealing, not theft. Stealing is just. Theft is exploitative. Stealing is when you take a yuppie's BMW for a joyride, and crash into a parked Mercedes just for the hell of it. Theft is when you take candy from a baby's mouth.
Stealing is the re-distribution of wealth from rich to poor Theft is making profits at the expense of the disadvantaged and the natural environment. Stealing is an unwritten a tax on the rich. Theft is taxing the poor to subsidize the rich. Stealing is nothing more than a tax on the rich. There is solidarity in stealing, but property is nothing but theft.
So, don't pay for that corporate newspaper, but steal all of them from the box. Get some friends together and go on a "shoplifting "spree at the local chain supermarket or upscale mall. With an even larger mob, get together and steal from the local chain book or record store. Pilfer purses and wallets from easily identified yuppies and business persons. Skip out on rent. Get a credit card under a fake name and don't pay. Keep what you can use, and give away everything else in the spirit of mutual aid that is the hallmark of Steal Something Day.
top
And remember, we're talking about stealing, not theft. Stealing is just. Theft is exploitative. Stealing is when you take a yuppie's BMW for a joyride, and crash into a parked Mercedes just for the hell of it. Theft is when you take candy from a baby's mouth.
Stealing is the re-distribution of wealth from rich to poor Theft is making profits at the expense of the disadvantaged and the natural environment. Stealing is an unwritten a tax on the rich. Theft is taxing the poor to subsidize the rich. Stealing is nothing more than a tax on the rich. There is solidarity in stealing, but property is nothing but theft.
So, don't pay for that corporate newspaper, but steal all of them from the box. Get some friends together and go on a "shoplifting "spree at the local chain supermarket or upscale mall. With an even larger mob, get together and steal from the local chain book or record store. Pilfer purses and wallets from easily identified yuppies and business persons. Skip out on rent. Get a credit card under a fake name and don't pay. Keep what you can use, and give away everything else in the spirit of mutual aid that is the hallmark of Steal Something Day.
pátek 11. listopadu 2011
pondělí 24. října 2011
neděle 18. září 2011
sobota 3. září 2011
sobota 20. srpna 2011
Project : The evolution of creative personality. The art pieces displayed on fashion, the Norms.
My motivation is to work on project which defines the normative behaving of individualities living in Europe since 1980. The last 30 years changed the definition of creativity. The society which force individuals to play different roles.
The research of individuals based on information from psychological surgery, pedagogical help service, and databases focused on social behaving. Not only research of group of artists, but the self experience can help me to introduce all of selected artists uncovered, or adapted to their role.
How the presumption of perfection can be the destructive mechanism for designer?
From my point of view the trade force the creatives to positions of prostitutes, idols, managers and multi-skilled capacities into one. This pressure redirects their attention from valuable creativity. I will ask where are the deep and full developed concept? Where I can find the companies that work that way? Is it profitable? Are these companies the historical based companies? Or is this way of work supported only by the artist in residence projects?
The skills increase demands, the demands of increasing skills?
Intensity of uniformity is different nowadays, that is why I choose the last 3 decades to describe changes, which has been developed in west and east bloc Europe, before and after disintegration of socialist system. As well as the birth of the new generation which lives side by side or in their personal computers. This could be the factor which fastened the creative process.
The final pieces are about to prove the result of research and show how individualities could be lost in the world of hidden rules. The art pieces can illustrate how they use available effects in their work and if it is demonstration of art freedom or the creating mask covered their expression which makes it more consume could be answered. That is why the art pieces are about to be displayed on fashion pieces by different techniques such an animation, woodcut, silkscreen and some more. The project which has main goal to reform the general stylishness by the presentation of the art pieces indicated into fashion as a showcase of the power of human creativity.
The outcome, the art piece, the goods:
The project will be presented in galleries and mobile gallery, placed on public places around the Europe. The reason for this is to place art piece as close as possible to public. Gallery could be provided by the Gameboys exhibition non - profit organisation and different municipalities. Public place means the parks, shopping moles, squares. The fashion will be presented as part of arranged stage with prints, paintings and video. I would like to use facilities of Oslo National academy of art , especially print studio, fashion design laboratory to develop this project. As well as I would love to discuss the project with leaders and technical assistants and students from academy.
--
Author is a member of Gameboys exhibition group and his passion is to organize meetings and workshops for the designers group or colleagues at the university as assistant of professor last years. He would like to cooperate on events and deepen his organisation skills at the Oslo National academy of art gallery. To follow the academic career in Norway which has been successfully started in Volda university college as assistant of professor.
Rostislav Liška ´Ross Fox´ was born 1984 in Czechoslovakia, during the Soviet expansion to Czechoslovakia. Even though I cannot remember much of this period, there is still something in my sub consciousness which is deeply stunned in my heart and personality. It might be the people who lived around me until I started to travel around Europe and discovered different angles of view on this world. That opened my eyes and I am now convinced that nothing is impossible. People call dreams and personal goal science-fiction. I do not.
I had deep connection with sport sciences, team building, improvement and feeling of tradition. All of those things were and still are a part of my life. I used to be a member of Water Ski Team and the leader of a deejay crew when I was adolescent. This transformed my personality to helpful and progressive level in every creative group. Last year, I and ten other people decided to move the general stylishness by the promotion of the exhibition, which exposed art and design as equivalents. I have faith in myself and my abilities as well as abilities of people around me and that is the best point to start. This is main goal for my studies at Oslo National academy of art.
čtvrtek 28. července 2011
počátek tradice
Jsem studentem a mnohdy se zbytečně dalekosáhle zabývám otázkou jak prodat sama sebe, respektive jak prinutit ostatní, aby si koupily věc jež jakoby prvotně patřila měa jen jim ji v podstatě vypujčit. Půjčit jim uměle vytvořený důkaz mojí existence.
Mám snad věřit, že pomocí množství přeživších věcí se mohu stát legendou či tzv. Žít navždy?
V moderní době nemůžeme mluvit o tradici v pravém slova smyslu ale o umělé umělé tradici.
Mnohdy vytvořený umělý příběh podporující jedinečnost média ozrcadleném v očích lidí jež jsou hladoví po přivlastnění si tohoto druhu cizí identity.
Jedinečnost této identity je cení penězmi, nebo cena udává jedinečnost? Zajímavým momentem je okamžik kdy se pomocí dostatečných podpůrných předmětů , nazývám je důkazy existence, dostaví euforie , hrdost, pocit sexuální přitažlivosti a tím i přehocnocení vlastního já nositele. Tento mechanismus je hnací silou, základem společenského vyžití označení módy.
Studium módy očima umělce, jehož povaha je do jesté míry intelektuální esencí rozumu.
Žádají si ode mne oni vypujčitelé doplnění pocitu bezstarostnosti?
Jsem jako tvůrce předmětů jež v sobě nese kus mé intelektuální povahy povinen brát ohled na srozumitelnost? Strávníci označených komerčních předmětů žijí analogický svět s citovou inspirací na úorvni omezené logikou závěrů potvrzených každodeními situacemi.
Podle jakého vzorce si lidé vybírají sdílenou identitu a jestli mají chuť pociťovat že je jim blízká , a jaké atributy k jejich výběru jsou těmi hlavními. Není to individualita, ale spíše masa jež vybírá a není to cit , ale spíše globální marketing, který dává pocit potřeby využít nabízeného?
Vnutit lidem své předměty, přizpůsobit je jejich představě?Zde pociťuje každý umělec či výtvarník rozdíl například od designéra. Tato spopularizovaná hodnost se jevi jako ikona v očích konzumentů. Bůh jenž jim přinese vytouženou věc přesně naparovanou na jejich vkus.
Distanc jaký by rád umělec k této pozici zaujal a jeho délka je zkracována potřebou výtvarníka upevnit své sociální postavení předměty. Kruh se uzavřel. Buď se umělec vydá po hladké cestě zpětného přijímání a začleňování znaků všeobecného vkusu společnosti do vlastního názoru reprezentovaného předměty jež tvoří, či spoluvytváří, nebo se vydá cestou kamenitou , postupu plného emocí a pocitů nepochopení, nesrozumitelnosti, ale uchování pravého já ve své vizi tvorby. Nářek umělců byl slyšet skrz celou novodobou historií, tyto prvotní identity si mnohdy zaslouží jméno hodné k u ustavení pocitu tradice.
Následování tradice a snaha si ji přisvojit je zakořeněna v historickém i prehistorickém rozdělení společnosti. Touha po rouše panovníka , čepcích, kůžích , batách, popřípadě přivlastnění erbovíje touhou po tradici. Lidé mají rádi legendy, příběhy, zajímavosti. Moderní marketing a snaha o profit dokáže obejít i tyto historicky ověřené tradice, popřípadě zákazy.
Po zemi se tak pohybují panoši v královských roších, z pokojské či sližky je rázem císařovna.
Uznávám, že i pozorovatel má lepší pocit a dokáže se ve vší spokojenosti vtáhnout do této hry. Jakékoliv hry udržují národy ve spokojenosti, jež je jejich hlavním smyslem.
Při výběru své identity( převlečení) se těmito kastovními posuny rád inspiruji, mohu si vybrat, mohu je den co den měnit.Mým úkolem je spoluvytvářet tyto kostýmy. Mohu je přetvářet i bez zkušeností a podrobných znalostí tradic. Co to vlastně vytváříme? Bezduché puzzle.
Tradice je dlouhodobé uchovávání, obohacování a předávání dovedností. Je možné jejich vývoj částěčně urychlit pomocí získání dovedností cizích lidí. Koupí jejich zkušeností. Pomocí prostředků a nových forem komunikace máme jedinečnou možnoust tradici vytvořit, šířit, ale také velice efektivně ničit. Výrobci oděvů, jejichž prestige je založena na tradicia dlouhodobém postavení ne trhu mejí svoji pozici vykoupenou prací generací , budováním a znouvuoživováním identity , která se formovala déle, než je dlouhý život jedince. Mám tuto hodnotu považovat za hodnotnější, dokáže mě předat informace o svém vývoji? Je ta píle lidí z ní cítit?
Prvopočátkem každé zajímavé identity je souhrn situací, většinou inovativní postoj , či potřeba společnosti. Za identitu poté mluví činy nebo výrobky, potažmo zástupný znak identity, jež je vytvořila.
Tato identita na druhou je ověřována a srovnávána. Takto prověřená a uznaná je nabízena k dalšímu ověření osobní zkušeností. Podprahově zákazník vnímá tyto hodnoty, skryté ověření.
Součástí mého života je neustálá snaha o přežití, poté co je nouze a vidina krachu zažehnána hledám cesty jakými dosáhnout užívání si života třeba i kupováním si zažitků a zdrojů inspirací. Narušení stereotipu života. I radost je takovým narušením, má i magickou moc působit zapomění. Čímkoliv si udělá osoba stav klidu a směřuje svoje smysly, k příjemným věcem, je zatažena do smění. Klidně o tradici jež založí a jež bude nesmrtelným a pravým odkazem jeho existence a kvalit. Ne uměle vytvořenou zástupnou identitou nacpanou znaky lidí k ukojení jejich představ.
Mám snad věřit, že pomocí množství přeživších věcí se mohu stát legendou či tzv. Žít navždy?
V moderní době nemůžeme mluvit o tradici v pravém slova smyslu ale o umělé umělé tradici.
Mnohdy vytvořený umělý příběh podporující jedinečnost média ozrcadleném v očích lidí jež jsou hladoví po přivlastnění si tohoto druhu cizí identity.
Jedinečnost této identity je cení penězmi, nebo cena udává jedinečnost? Zajímavým momentem je okamžik kdy se pomocí dostatečných podpůrných předmětů , nazývám je důkazy existence, dostaví euforie , hrdost, pocit sexuální přitažlivosti a tím i přehocnocení vlastního já nositele. Tento mechanismus je hnací silou, základem společenského vyžití označení módy.
Studium módy očima umělce, jehož povaha je do jesté míry intelektuální esencí rozumu.
Žádají si ode mne oni vypujčitelé doplnění pocitu bezstarostnosti?
Jsem jako tvůrce předmětů jež v sobě nese kus mé intelektuální povahy povinen brát ohled na srozumitelnost? Strávníci označených komerčních předmětů žijí analogický svět s citovou inspirací na úorvni omezené logikou závěrů potvrzených každodeními situacemi.
Podle jakého vzorce si lidé vybírají sdílenou identitu a jestli mají chuť pociťovat že je jim blízká , a jaké atributy k jejich výběru jsou těmi hlavními. Není to individualita, ale spíše masa jež vybírá a není to cit , ale spíše globální marketing, který dává pocit potřeby využít nabízeného?
Vnutit lidem své předměty, přizpůsobit je jejich představě?Zde pociťuje každý umělec či výtvarník rozdíl například od designéra. Tato spopularizovaná hodnost se jevi jako ikona v očích konzumentů. Bůh jenž jim přinese vytouženou věc přesně naparovanou na jejich vkus.
Distanc jaký by rád umělec k této pozici zaujal a jeho délka je zkracována potřebou výtvarníka upevnit své sociální postavení předměty. Kruh se uzavřel. Buď se umělec vydá po hladké cestě zpětného přijímání a začleňování znaků všeobecného vkusu společnosti do vlastního názoru reprezentovaného předměty jež tvoří, či spoluvytváří, nebo se vydá cestou kamenitou , postupu plného emocí a pocitů nepochopení, nesrozumitelnosti, ale uchování pravého já ve své vizi tvorby. Nářek umělců byl slyšet skrz celou novodobou historií, tyto prvotní identity si mnohdy zaslouží jméno hodné k u ustavení pocitu tradice.
Následování tradice a snaha si ji přisvojit je zakořeněna v historickém i prehistorickém rozdělení společnosti. Touha po rouše panovníka , čepcích, kůžích , batách, popřípadě přivlastnění erbovíje touhou po tradici. Lidé mají rádi legendy, příběhy, zajímavosti. Moderní marketing a snaha o profit dokáže obejít i tyto historicky ověřené tradice, popřípadě zákazy.
Po zemi se tak pohybují panoši v královských roších, z pokojské či sližky je rázem císařovna.
Uznávám, že i pozorovatel má lepší pocit a dokáže se ve vší spokojenosti vtáhnout do této hry. Jakékoliv hry udržují národy ve spokojenosti, jež je jejich hlavním smyslem.
Při výběru své identity( převlečení) se těmito kastovními posuny rád inspiruji, mohu si vybrat, mohu je den co den měnit.Mým úkolem je spoluvytvářet tyto kostýmy. Mohu je přetvářet i bez zkušeností a podrobných znalostí tradic. Co to vlastně vytváříme? Bezduché puzzle.
Tradice je dlouhodobé uchovávání, obohacování a předávání dovedností. Je možné jejich vývoj částěčně urychlit pomocí získání dovedností cizích lidí. Koupí jejich zkušeností. Pomocí prostředků a nových forem komunikace máme jedinečnou možnoust tradici vytvořit, šířit, ale také velice efektivně ničit. Výrobci oděvů, jejichž prestige je založena na tradicia dlouhodobém postavení ne trhu mejí svoji pozici vykoupenou prací generací , budováním a znouvuoživováním identity , která se formovala déle, než je dlouhý život jedince. Mám tuto hodnotu považovat za hodnotnější, dokáže mě předat informace o svém vývoji? Je ta píle lidí z ní cítit?
Prvopočátkem každé zajímavé identity je souhrn situací, většinou inovativní postoj , či potřeba společnosti. Za identitu poté mluví činy nebo výrobky, potažmo zástupný znak identity, jež je vytvořila.
Tato identita na druhou je ověřována a srovnávána. Takto prověřená a uznaná je nabízena k dalšímu ověření osobní zkušeností. Podprahově zákazník vnímá tyto hodnoty, skryté ověření.
Součástí mého života je neustálá snaha o přežití, poté co je nouze a vidina krachu zažehnána hledám cesty jakými dosáhnout užívání si života třeba i kupováním si zažitků a zdrojů inspirací. Narušení stereotipu života. I radost je takovým narušením, má i magickou moc působit zapomění. Čímkoliv si udělá osoba stav klidu a směřuje svoje smysly, k příjemným věcem, je zatažena do smění. Klidně o tradici jež založí a jež bude nesmrtelným a pravým odkazem jeho existence a kvalit. Ne uměle vytvořenou zástupnou identitou nacpanou znaky lidí k ukojení jejich představ.
úterý 21. června 2011
Again I m in !
Pleas check us in the Galeryje gallery in Brno city center.
As well as in the Kampo koncept store Hradec Králové !!
For more please check our website GAMEBOYSEX:ORG!!!
pondělí 6. června 2011
Gameboys exhibition in Galeryje!!
New exhibition this friday at Galeryje Brno and some more info soon!!!
Check out Gameboysex.org and stay updated !!
Check out Gameboysex.org and stay updated !!
neděle 1. května 2011
Pokračování vyprazdňování VOL 1
Lichý Máj?
Tři stíny v dálce horizontu země.
Matka hrdá, synové oddaní.
Každý jiné krve,
přec spojení v dlouhé chvíli, nedělní.
Z dálky jen kontury, uzel a hranice,
jen moudrý odhalí tři mladé milence.
Pomalé, jemné pohyby dvojice.
Lichý jen nepohnut v koruně skrývá je.
Mluví k nim neslyšen,
zdánlivě zbytečně.
Bez něj i s ním,
vše spálí vášeň polední.
Bez něj i v ní ten strom květem plodí,
Matku i syna vlnou energií dvojí.
Ač jedné krve dnes v trávě zapadám
a tím v ní lásku plodím.
V představách májových vracím se k ní,
Jak strom ovocným lístkem okvětním.
Milenec sudý osudem
R
Tři stíny v dálce horizontu země.
Matka hrdá, synové oddaní.
Každý jiné krve,
přec spojení v dlouhé chvíli, nedělní.
Z dálky jen kontury, uzel a hranice,
jen moudrý odhalí tři mladé milence.
Pomalé, jemné pohyby dvojice.
Lichý jen nepohnut v koruně skrývá je.
Mluví k nim neslyšen,
zdánlivě zbytečně.
Bez něj i s ním,
vše spálí vášeň polední.
Bez něj i v ní ten strom květem plodí,
Matku i syna vlnou energií dvojí.
Ač jedné krve dnes v trávě zapadám
a tím v ní lásku plodím.
V představách májových vracím se k ní,
Jak strom ovocným lístkem okvětním.
Milenec sudý osudem
R
pondělí 28. března 2011
středa 23. března 2011
Project :
The evolution of creative personality. The art pieces displayed on fashion, the Norms.
This project defines the normative behaving of individualities living in Europe since 1980. The last 30 years changed the definition of creativity. The society forced individuals to play different roles.
The research of individuals based on information from psychological surgery, pedagogical help service, and databases focused on social behaving. Not only research of group of artists, but the self experience can help me to introduce all of selected artists uncovered, or adapted to their role.
How the presumption of perfection can be the destructive mechanism for designer?
From my point of view the trade force the creatives to positions of prostitutes, idols, managers and multi-skilled capacities into one. This pressure redirects their attention from valuable creativity. I will ask where are the deep and full developed concept? Where I can find the companies that work that way? Is it profitable? Are these companies the historical based companies? Or it this way of work supported only by the artist in residence projects?
The skills increase demands, the demands of increasing skills?
Intensity of uniformity is different nowadays, that is why I choose the last 3 decades to describe changes, which has been developed in west and east bloc Europe, before and after disintegration of socialist system. As well as the birth of the new generation which lives side by side or in their personal computers. This could be the factor which fastened the creative process. Do we fallow needs to extend the specialisation or are the skills we need to know possible to absorb? Could it destroy the creative personality by infinite learning process? What means specialisation?
The final pieces are about to prove the result of research and show how individualities could be lost in the world of hidden rules. The art pieces can illustrate how they use available effects in their work and if it is demonstration of art freedom or the creating mask covered their expression which makes it more consume could be answered. That is why the art pieces are about to be displayed on fashion pieces by different techniques such an animation, woodcut, silkscreen and some more.
I decided to ask a question if it is possible that only non-profit organisation can provide the space which is based on connecting art and design in to one. Which bring together more creative individualities to work on one project. The project which has main goal to reform the general stylishness by the presentation of the art pieces indicated into fashion. That is power of human creativity.
The outcome, the art piece, the goods:
The project will be presented in mobile gallery, placed on public places around the Europe as art piece to be as close as possible to public. Gallery will be provided by the Gameboys exhibition non -profit organisation and different municipalities. Public place means the parks, shopping moles, squares. The fashion will be presented as part of arranged stage with prints, paintings and video. Audio part is not necessary, but process will show the importance of dialogues.
The same message ( picture ) with application of effects.
The author
The revolutionary, the team player, hard working – include maximum of fun, self motivated one.
Rostislav Liška ´Ross Fox´ was born 1984 in Czechoslovakia, during the Soviet expansion to Czechoslovakia. Even if I could not remember much form this period, there is still something in my subconscious which is deeply stunned in my heart and personality, maybe it is the people they lived around me till I started to travel around Europe and discovered different angle of view this world. I travelled with my girlfriend and that opened my eyes and I started to live with conviction that no science-fiction is impossible. The people call the dreams and personal goal science-fiction. I do not.
I had deep connection with sport sciences, team building, improvement and feeling of tradition which can be improved from my young age. I was member of the water ski team since my birth. And the leader of deejay crew when I was adolescent. This transformed my personality to helpful and progressive unit in every creative group. Last year, I and ten more people decided to move the general stylishness by the promotion of the exhibition, which expose art and design as equivalents. I believe and it is the best point to start.
The evolution of creative personality. The art pieces displayed on fashion, the Norms.
This project defines the normative behaving of individualities living in Europe since 1980. The last 30 years changed the definition of creativity. The society forced individuals to play different roles.
The research of individuals based on information from psychological surgery, pedagogical help service, and databases focused on social behaving. Not only research of group of artists, but the self experience can help me to introduce all of selected artists uncovered, or adapted to their role.
How the presumption of perfection can be the destructive mechanism for designer?
From my point of view the trade force the creatives to positions of prostitutes, idols, managers and multi-skilled capacities into one. This pressure redirects their attention from valuable creativity. I will ask where are the deep and full developed concept? Where I can find the companies that work that way? Is it profitable? Are these companies the historical based companies? Or it this way of work supported only by the artist in residence projects?
The skills increase demands, the demands of increasing skills?
Intensity of uniformity is different nowadays, that is why I choose the last 3 decades to describe changes, which has been developed in west and east bloc Europe, before and after disintegration of socialist system. As well as the birth of the new generation which lives side by side or in their personal computers. This could be the factor which fastened the creative process. Do we fallow needs to extend the specialisation or are the skills we need to know possible to absorb? Could it destroy the creative personality by infinite learning process? What means specialisation?
The final pieces are about to prove the result of research and show how individualities could be lost in the world of hidden rules. The art pieces can illustrate how they use available effects in their work and if it is demonstration of art freedom or the creating mask covered their expression which makes it more consume could be answered. That is why the art pieces are about to be displayed on fashion pieces by different techniques such an animation, woodcut, silkscreen and some more.
I decided to ask a question if it is possible that only non-profit organisation can provide the space which is based on connecting art and design in to one. Which bring together more creative individualities to work on one project. The project which has main goal to reform the general stylishness by the presentation of the art pieces indicated into fashion. That is power of human creativity.
The outcome, the art piece, the goods:
The project will be presented in mobile gallery, placed on public places around the Europe as art piece to be as close as possible to public. Gallery will be provided by the Gameboys exhibition non -profit organisation and different municipalities. Public place means the parks, shopping moles, squares. The fashion will be presented as part of arranged stage with prints, paintings and video. Audio part is not necessary, but process will show the importance of dialogues.
The same message ( picture ) with application of effects.
The author
The revolutionary, the team player, hard working – include maximum of fun, self motivated one.
Rostislav Liška ´Ross Fox´ was born 1984 in Czechoslovakia, during the Soviet expansion to Czechoslovakia. Even if I could not remember much form this period, there is still something in my subconscious which is deeply stunned in my heart and personality, maybe it is the people they lived around me till I started to travel around Europe and discovered different angle of view this world. I travelled with my girlfriend and that opened my eyes and I started to live with conviction that no science-fiction is impossible. The people call the dreams and personal goal science-fiction. I do not.
I had deep connection with sport sciences, team building, improvement and feeling of tradition which can be improved from my young age. I was member of the water ski team since my birth. And the leader of deejay crew when I was adolescent. This transformed my personality to helpful and progressive unit in every creative group. Last year, I and ten more people decided to move the general stylishness by the promotion of the exhibition, which expose art and design as equivalents. I believe and it is the best point to start.
středa 16. března 2011
sobota 5. března 2011
pondělí 28. února 2011
sobota 12. února 2011
středa 9. února 2011
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